Barrie Leigh was born and raised in the heart of the English Lake District. Views of mountains like Great Gable, Scafell and the crags of Seat Allen, and their nearby rivers and lakes, gave him a love of landscapes. The colors and patterns of the mountain scenery changed moods as the seasons went by.
Barrie lived only a couple of miles from the tallest mountain, by the deepest lake, with the smallest school, and the smallest church in England. The colorful flower beds in nearby gardens and the distant fiery mountainsides of bracken instilled a love of vibrant color combinations.
Like many artists in America, Barrie started painting later in life. Like so many others, he has learned from the techniques and experience of many excellent art teachers and coaches.
His preferences lean towards the natural world around us. That scenery and its elements provide the combinations of colors and textures that influence his paintings. The media he uses are known for their ability to give intense colors, as well as soft subtleties, when needed.
Who makes a painter successful? Van Gogh, Cezanne, Monet, Renoir, Sargent, Degas, Turner all have something in common. Shockingly, to our modern sense of "education" they have no art degrees. It is you, who appreciate art that determine the value of any painter. When the subject, the style, or the message in a painting brings out a strong feeling or memory, you may want it for yourself: it's you who determines the value of a painter's work. So, contact us if you like his paintings.
As you look through these paintings, realize that each one of them has a message or a theme (what the painting "about"). Each painting has a focal point, or sometimes two, with natural curves and shapes that invite your eye into the scene. You travel with the artist on a short journey through color, shape and texture.
The galleries of images in this website show our paintings without any frames. Nearly all of Barrie's paintings are framed and matted to high professional standards. Here, we expect you to focus on the paintings rather than their frames.